What\u2019s the most difficult part of writing a fiction story? The beginning, middle, or end?<\/p>\n
The answer to that question will vary widely depending on the writer and his or her particular fiction project. Most of us start writing a story or novel for a particular reason: we had a compelling dream, or we overheard a bit of dialog, or we read or saw a story on the news and wondered \u201cWhat if that had gone differently?\u201d The numbers of things that can inspire a writer are practically endless; ideas are all around us. \u00a0But from those germinal ideas, characters or scenes will start forming in our minds, and soon our fingers are on the pen or keyboard and we\u2019re writing.<\/p>\n
The problem is, rarely do we have a story come to us fully formed. Bits are usually missing.\u00a0Important\u00a0<\/i>bits.<\/p>\n
Do you have an idea for a sympathetic, fun protagonist and an equally fun but rather twisted antagonist, and you know that they start fighting over a stolen relic in an abandoned warehouse, but \u2026 you\u2019re not sure what needs to happen after that? Or why? In this situation, your ending might confound you.<\/p>\n
Conversely, do you have an idea for a dramatic, epic final battle between the hero and the antagonist \u2026 but no idea how they first encountered each other? Or, possibly worse, you know\u00a0exactly\u00a0<\/i>how the two first tangled but they\u2019ve been enemies for decades and they have an immense amount of backstory together \u2026 and now you just don\u2019t know where this particular story starts, exactly? Chances are good the beginning of your story will be a bit of a problem.<\/p>\n
But maybe you know exactly how their current conflict began. You know how the fight in the warehouse will go and what will happen in that epic final battle \u2026 but all the narrative that has to happen in chapters 3 to 9 is a bit hazy to you, and perhaps you\u2019re even a little bored waiting to get to the good stuff? Your novel\u2019s middle might sag like an undercooked pumpkin pie.<\/p>\n
So, all three aspects of a narrative can be difficult \u2026 but if you pinned me down and told me I had to choose one, I\u2019d pick the beginning of a story as being the most important challenge a writer has to overcome.<\/p>\n
Why? First and foremost, if you don\u2019t find a good point of entry for your story, you might never get it written! When I was a newbie writer in my late teens and early twenties, I would start a story based on a single cool idea, and I\u2019d get a paragraph or two in and completely run out of gas. Dozens of dried-up story sprouts littered my hard drive. It was all a learning experience, of course; the most important thing I learned is that I\u2019m a plotter and not a pantser. I don\u2019t outline, but I do need to let a story roll around in my mind for a while and grow a bit before I try to put it on paper. I need to make myself a narrative map; if something more interesting comes along while I\u2019m writing I\u2019ll happily embrace the new destination, but for me to have no destination in mind at all? My narrative engine will stall out in the driveway.<\/p>\n
Furthermore, if you start sending around a manuscript with a solid middle and a fabulous ending but a weak opening, the chances are good that the editor or agent won\u2019t keep reading long enough to discover your story\u2019s strengths. In my experience, you have to grab the reader\u2019s attention right away — not just in the first page but the first paragraph. Ideally, you should hook the reader with your first sentence.<\/p>\n
The kind of story you\u2019re writing will dictate what that first page and first paragraph should look like; for every rule put forth in fiction, you can find a writer who managed to break that rule to wonderful effect.<\/p>\n
Having said that, if you\u2019re having trouble with your openings, there are a few things you can try:<\/p>\n
And that last point leads to my own advice to myself when I find myself getting stuck in the middle or near the end of a manuscript. I ask myself, \u201cWhat would be cool or interesting here? What could happen here to mix this up? Given the characters I\u2019ve created and their wants and desires, what interesting, unexpected thing would make the most sense here?\u201d And then I try to make that happen.<\/p>\n","protected":false},"excerpt":{"rendered":"